From the late 1970s and onwards, Lennart Rodhe dedicated himself to patterns and reflections. The reflections had appeared in his works already in the 1940s, as in his lithograph The Green House from 1947, in his Sign Figures, and later in the Shiva prints. Reflections create new rooms in the image, and they play with the pictorial surface and depth. Reflections also feature in his geometrical patterns – by twisting and reversing a repeat print, he created larger and more complex interweaving shapes (Mogador, 1980). In a series of prints, Rodhe explores reflections on the water on the theme of Currents. Through the shimmering and glittering surface, we glimpse a fragmentary image of the river bed. (Spring Water Fragmented Right, 1983) These prints were used as cartoons for several large, hand-knotted carpets made for Kasthall, including (Eau de source, 1983 och The Green Current I (1986), of which several are in the Foundation’s collection.
Further reading
Thomas Millroth, Lennart Rodhe, Sveriges Allmänna Konstförening, Uddevalla 1989
Börje Magnusson och Thomas Millroth, Rodhe som grafiker, Atlantis, Värnamo 1993
Per Bjurström, Bagateller, Carlssons bokförlag, Malmö 1995
Per Bjurström, Blockteckningar och reseskisser, Carlssons bokförlag, Malmö 1995
Mailis Stensman, Rodhe som textilare, Norstedts förlag, Värnamo 1995
The book Rodhe som grafiker (Rodhe as a Graphic Artist) includes a comprehensive biography and bibliography, along with an index stating where his prints have been exhibited.